לימוד גיטרת פינגרסטייל בהוצאת אלפרד
תווים וטבלטורה
About the Authors
Introduction
Chapter 1 – Review of the Basics
The Open Strings
Roman Numerals
Music Notation
Chapter 2 – Fingerstyle Patterns
Review of Patterns #1-#11
Pattern #12
Pattern #13
Pattern #14
Pattern #15
Chapter 3 – Special Techniques
Multiple Hammer-ons and Pull-offs
Desert Ride
Night Out
Artificial Harmonics
Star Catcher
Chapter 5 – Barre Chords
The Technique
Root 6 and Root 5 Barre Chords
Alternative Barre Fingerings
Handle the Barres
Spanish Nights
A Minor Detail
Chapter 5 – More Fingerstyle Patterns
Pattern #16
Pattern #17
Pattern #18
Pattern #19
Chapter 6 – Diatonic Harmony
The Major Scale
Diatonic Harmony – Triads
Four Types of 7th Chords
Seventh Heaven
Horizontal Hold
Jazzberry Jam
Chapter 7 – Alternative Tunings
Drop D Tuning Review
Notes to James
Open G Tuning Review
Orpheus Returns
Open D Tuning
Blues for Taj
DADGAD Tuning
For Pierre
Open C Tuning
Seeing You Again
Chapter 8 – Inversions
Inverting the Triad
Slash Chord Notation
Inversions on the Top Three Strings
Buddy’s Back
Three’s in Three
Inversions on the 4th, 3rd, and 2nd Strings
Hammering Away
Chapter 9 – Exploring Bass Lines
Walking Bass Lines – Review
Walking Around
Goin’ Down
Boogie Beat
Arpeggio Bass Lines
Ray’s Rockin’
Chapter 10 – The Modes
Two Views of the Modes
A Dorian Mode
All Mixed Up
Chapter 11 – Counterpoint
Three Kinds of Movement
The Cat’s Meow
Chapter 12 – Arranging
Scarborough Fair – Melody
Scarborough Fair – Melody and Slow Bass
Scarborough Fair – Melody and Quicker Bass
Scarborough Fair – In Three Voices
Scarborough Fair – Contrapuntal
Exploring the Styles
Dancing Dreams – In the Style of John fahey
Rise and Shine – In the Style of Leo Kottke
The Road to You – In the Style of Michael Hedges
Thanks to Josie – In the Style of Adrian Legg
Smash the Windows – An Irish Tune
Si Beag Si Mor – An Irish Classic by O’Carolan
Hot Pepper Blues – Fingerstyle Blues
Hangin’ Around – Fingerstyle Blues
After Dark – Fingerstyle Blues
The Reverend’s Rag – Fingerstyle Blues in the Style of Rev. Gary Davis
Afterwords
Appendix – Open Chords